Latin American Music Review
Volume 26, Number 2, Fall/Winter 2005
E-ISSN: 1536-0199 Print ISSN: 0163-0350
DOI: 10.1353/lat.2006.0014
E-ISSN: 1536-0199 Print ISSN: 0163-0350
DOI: 10.1353/lat.2006.0014
Wibbelsman, Michelle.
Encuentros: Dances of the Inti Raymi in Cotacachi, Ecuador
Latin American Music Review - Volume 26, Number 2, Fall/Winter 2005, pp. 195-226
University of Texas Press
Michelle Wibbelsman - Encuentros: Dances of the Inti Raymi in
Cotacachi, Ecuador - Latin American Music Review 26:2 Latin American
Music Review 26.2 (2005) 195-226 Encuentros:
Dances of the Inti Raymi in Cotacachi, Ecuador Michelle Wibbelsman A
human wall, fifteen men across in dozens of rows deep, advances in a
slow trot toward the main square of Cotacachi, La Plaza de la Matriz.
They are the San Juan dancers of the upper- and lower-moiety coalitions
of local indigenous communities who have come to compete with one
another in the toma de la plaza (the taking of the square) during the
summer Inti Raymi festivities. The thundering of the synchronized dance
step as boots pound against the pavement and the collective whistling
announce the strength and aggression of the sanjuanes, as the dancers
are known in honor of Saint John the Baptist, whose feast day is
celebrated on this occasion, 24 June. They seek to test their vigor and
their endurance in a ritual battle for the ultimate prize of
symbolically winning the square. The dancers wear goatskin chaps
(zamarros); tall, broad-rimmed, black, stiff cardboard hats; boots or
shoes (instead of alpargatas ); and sunglasses. Many of them are
completely outfitted in camouflage. As they trot to the music of the
twin flutes, they wave leather whips (aciales) and chant in unison,
"jari, jari, jarikuna . . . churay, churay, carajo" (men, men, [we are]
men, put it there, put it there, carajo ). These precise, albeit...